The Journal Of Antiquities

Ancient Sites In Great Britain & Southern Ireland


St Peter’s Church, Prestbury, Cheshire

St Peter’s Church   (R. A. Riseley, 1952).

   OS Grid Reference: SJ 90082 76935. The 13th and 14th century grey sandstone parish church of St Peter at Prestbury, Cheshire, is located at the southwest side of the village, close by the A538 road (the village road), and just opposite The Bridge Hotel. The village is located some 4 miles to the southeast of Wilmslow. The River Bollin flows near the church. There was probably a late Saxon church on this site, or close by, in the 11th century. There is the obvious evidence with regard to that early church in the churchyard where there’s a very well-put-together monument made-up of two large fragments of Saxon crosses, which has some very nice, almost Celtic-like, carvings. Also in the churchyard a 12th century Norman chapel with a carved doorway that has some outstandingly beautiful sculptural work: above the doorway is a tympanum with “Christ in Majesty” and above that seven carved figures that are now sadly defaced.

   The parish church has some medieval features including an Early English three-light lancet window (1220-30) at the north side of the chancel and a 13th century piscina with carved head in the south aisle, while the 13th century font was recut in the 19th century and has carved heads of monks from St Werburgh’s Abbey. In the north aisle is a 14th century figure of St Nicholas. There is a nice oak rood-screen of 1787. The crenellated church tower is of 1480. Also of interest some late medieval carved (incised) coffin slabs. The earliest coffin slab is built onto the north wall of the chancel and has a foliated calvary cross and a Latin inscription to Reginald Legh, Esquire, son of Robert Legh, Knight, foremerly Lord of Adlington. He built the church tower and porch. Reginald died in 1482. Apparently there was a priory hereabouts in the 14th century and, in the century following, there was a monastic hospice (Spittal House), which in more recent times became a farm. After the Norman Conquest the manor and church came into the possession of the Earl of Chester and, by 1153 Hugh Kyvelioc, Earl of Chester, had given the same manor and church to the Abbey of St Werburgh at Chester. Another interesting slab in the north wall of the chancel shows Sir Edward Warren of Poynton, who is represented in full armour; around the border is a Latin inscription: “Here lyeth the body of Edward Warren of Poynton, Knight, which departed from this transitory life the 12th day of October, in the year of our Lord God, 1558. Whose soul God pardon. Amen.”

Saxon Cross in St Peter’s Churchyard by R. A. Riseley.

   The Anglo-Saxon cross in the churchyard is actually two sections of different crosses that have been delicately placed together to form a T-shaped ancient monument; the carvings looking much more Celtic in design than Saxon. This may be due to the close proximity of Prestbury to the Welsh border and, we know that that border was as far east as Chester and Warrington back in the so-called Dark Ages, and so the Celtic influence was stronger. The cross fragments were discovered about 1841 when restoration work on the chancel was taking place; the sandstone fragments were embedded in the masonry. Originally the carved fragments were presumed to date from the 8th century, but today they are considered to be from the 10th or 11th century. It is richly carved all over with interlacing, interlinking and key-pattern designs. At the bottom there is a strange creature with a large, open mouth and several tails and a possible human figure, while there is a second human figure in the centre of the top T-shaped section. All-in-all a very beautiful piece of sculptured stonework, be it Celtic or Anglo-Saxon? Also in the churchyard a Grade II listed sundial dating from 1672.

Norman Chapel at St Peter’s Church, Prestbury, by R. A. Riseley, 1955.

   At the southeast side of the parish church stands the 12th century Norman Chapel. According to the booklet ‘Prestbury and its Ancient Church’ (1952): “The building which stands close to the present Church and which is generally known as the “Norman Chapel”, was probably built on the site of the more ancient Saxon edifice. It has a beautiful Norman doorway, a fine specimen of its kind. Over the doors is a tympanum representing “Christ in Majesty,” a subject which occurs in 21 other Norman tympana in England. Above on the corbel table are seven figures, now much defaced, which are of great interest, being unique in Christendom. Their interpretation seems to be as follows: The central figure represents God the Father holding the law in His left hand typified by an open book, and the Gospel in the right hand as fore-shadowed by the cross; conjointly justice and mercy are portrayed. The figure to the right with the animal (the Norman method of drawing a lamb) seems to stand for Christ, the Lamb of God , seated at the right hand of the Father. The figure to the left, having a resemblance to a bird, typifies the Holy Ghost in form of a dove. Collectively these three figures stand for the Trinity. St Peter with the key is shown in the sixth figure. To this saint the church was dedicated as is its successor at the present day. Figure two represents the monarch who reigned when the oratory was built, and this is almost certainly Richard I, Coeur de Lion, he being the first of the Norman kings to bear the budded scepter surmounted by a plain cross as here shown. The brings the date of the oratory within the year of his coronation, 1190, and that of his death, 1199.

   “The warrior with battle axe, figure one, and priest with staff, figure seven, represent the military and ecclesiastical government of the county palatine. The figures then may be, when taken together, interpreted as follows: “”In the name of the Blessed Trinity, this church, dedicated to St. Peter, was built by the abbot and monks of St Werburgh in the reign of Richard I, when Randle Blundeville was Early of Chester.”” 

   The Parish church of St Peter is a Grade I listed building and the Norman chapel is a Grade II listed building.

Sources & Related Websites:-

Bottomley, Frank, The Church Explorer’s Guide, Kaye & Ward Ltd., London, 1978.

Rogers, Harold, W (forward by the vicar), Prestbury and its Ancient Church, Macclesfield Press Ltd., 1958? (Drawings by R. A. Riseley).

The AA, The Illustrated Road Book Of England & Wales, The Automobile Association, London, 1961.

https://megalithix.wordpress.com/2010/06/28/churchyard-cross-prestbury/

https://en.wikipedia.org/wiki/St_Peter%27s_Church,_Prestbury

https://historicengland.org.uk/listing/the-list/list-entry/1221919

http://www.crsbi.ac.uk/site/1197/

                                                    © Ray Spencer, The Journal Of Antiquities, 2017.


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Churchyard Calvary Cross, Great Mitton, Lancashire

Medieval Calvary cross at Great Mitton, Lancs.

   OS Grid Reference: SD 71555 38958. In the churchyard of All Hallows parish church at Great Mitton in the Ribble Valley, Lancashire, stands a late Medieval round-headed calvary cross which is beautifully carved with scenes from the crucifixion of Christ. The long tapering shaft and base of this Grade II listed monument are, however, more recent in date, but the sculptured cross-head is ‘still’ a very wonderful sight to behold. It may have originated in one of the local abbeys that were destroyed at the Dissolution. And close by there is another monument: a very delightful late 17th century sundial with a curious inscription running around its shaft. The church of All Hallows can be reached from the B6246 – some 2 miles northwest of Whalley. A short distance after the Aspinall Arms public house and the River Ribble the church is almost on the corner of Church Lane where the entrance to the churchyard is just around the corner, hidden in the trees on the right-hand side.

Churchyard ‘Calvary’ Cross, (West Face).

Churchyard ‘Calvary’ Cross, (East Face).

   This 14th century round-headed sandstone calvary cross is mounted on a long thin octagonal shaft that tapers away near the top and has a squared base bearing an inscription; both the shaft and base date from the mid-1800s. The original shaft has long since gone. It is often referred to as being of the Gothic period. On its W face there are three figures: Christ crucified in the centre with St Mary Magdalen and St John the Evangelist at either side of him, while the E face has a rather eroded figure of Christ on his own and crucified. Below that there is foliage. Both sides of the cross-head have tracery. All in all this is a very beautiful Christian monument and all credit to the mason who carved it. But I do think it should be placed inside the church in order to preserve it from the ravages of the weather.

   It is uncertain from where the cross-head originated but it could have come from either Whalley or Sawley Abbey. It would seem to be in this case, though, that it was actually brought from Cockersand Abbey, Lancashire; and in more recent times it was rescued from the bed of the nearby River Ribble, where it may have been hidden by the monks who from time-to-time resided at Mitton Hall, just opposite the church. Some of the wooden furnishings inside the 13-15th century church of All Hallows did indeed come from Sawley Abbey, near Clitheroe, after the dissolution of that religious house in 1536. Cockersand Abbey in north Lancashire was dissolved in 1539.

   The square base of the calvary cross-shaft has a Victorian inscription recalling the XIII hundredth year of the introduction of Christianity. The cross is now a Grade II listed monument. Also in the churchyard a sundial on a thin shaft, dating from 1683, which has a brass gnomon and plate, and an inscription in large ornate letters and numerals running around the bulbous middle section of the shaft.

Sundial in All Hallows Churchyard.

   The renowned authoress Jessica Lofthouse, writing in 1974, does not mention the churchyard cross but makes mention of Mitton Hall. She says that: “the buttressed gable end of Great Mitton Hall where the priests of Cockersand Abbey lived when they served the church in early days, make a happy composition with green slopes, trees and cattle, and industrious anglers knee-deep in the flowing river.” The highly respected local author, John Dixon, briefly mentions the churchyard cross. He also mentions The Three Fishes Inn at Great Mitton and says that: “Over the doorway……. are mounted a number of stones said to have come from Whalley Abbey.” 

Sources and related website:-

Bottomley, Frank, The Abbey Explorer’s Guide, Kaye & Ward Ltd., London, 1981.

Dixon, John & Phillip,  Journeys Through Brigantia (Volume Nine) The Ribble Valley, Aussteiger Publications, Barnoldswick, 1993.

Lofthouse, Jessica, Lancashire Countrygoer, Robert Hale And Company, London SW7, 1974, 

https://en.wikipedia.org/wiki/All_Hallows_Church,_Great_Mitton

http://www.megalithic.co.uk/article.php?sid=26292

http://www.daelnet.co.uk/features/churches/skptpend/gtmitton.htm

                                                    © Ray Spencer, The Journal Of Antiquities, 2017.