The Journal Of Antiquities

Ancient Sites In Great Britain & Southern Ireland


Pompey’s Pillar And Sphinxes, The Serapeum, Alexandria, Egypt

Pompey’s Pillar and Sphinx at Alexandria in Egypt.

Latitude:31.182515  Longitude:29.896394. On the rocky hill called ‘The Serapeum’ near the center of Alexandria, Egypt, are three monuments dating from the Roman period. The ornate granite ‘triumphal pillar’ or monolithic column (over 20m high) has wrongly been called ‘Pompey’s Pillar’ (it was probably erected to honour the Emperor Diocletion (297-300 AD) when he saved the city from famine. The pillar is also known as Awud as-Sawari (The Horseman’s Pillar). The two monuments (at either side) are Roman copies of the Sphinx, although much smaller than the more well-known Great Sphinx at Giza. Both are made from pink granite and of an earlier date than the pillar; they show the body of a lion and the head of a man. The Serapeum, at the south-west side of the city, on Shari Amûd al Sawari, northeast of the Catacombs of Kom al Shuqqafa, was the site of the Temple of Serapis and the Sanctuary and Library buildings, which were built either by Ptolemy I or III, the ruins of which are now the Acropolis Archaeological site. The  city of Alexandria was conquered by Rome in 30 BC. Pompey the Great was murdered in Egypt (48 BC).

Old Postcard showing Pompey’s Pillar at Alexandria, Egypt.

The Insight Guide – Egypt (1988) says of the site that: “Long before Alexander arrived on the scene, this hill was the citadel of Rhakotis, dedicated to the worship of Osiris. The Ptolemies in their turn built a temple of Serapis on its summit. Here, with a collection of 200,000 manuscripts given to her by Mark Antony, Cleopatra endowed the second great Alexandrian library, which was to remain attached to the Serapeum until the temple itself was destroyed by a Christian mob; and thus here, for 400 years, was the most learned spot on earth. Today not much of the Serapeum remains: some tunnels in the rocks with crypts and niches and a few marble pillars. What the Christians wiped out in 391 A.D. later vicissitudes have put paid to. But the principal attraction, a solitary 72-foot (22 meter) high pillar of pink Aswan granite, seems to touch the sky defiantly and when European travelers arrived in the 15th century it caught their attention. No scholars they, but since they had heard of Pompey, they named the pillar after him and said his head was enclosed in a ball at the top. It actually has nothing to do with Pompey: according to an inscription on its base, it was dedicated to the Emperor Diocletian in 297 A.D. and it may once have had an equestrian statue on top, which would explain its Arabic name. Even less is left of the temple to Isis that once stood on the hill than of the Serapeum. You can see a statue of Isis Pharia, found near the site of the Pharos, as well as two granite sphinxes.”  

Alice Taylor (1964) adds to that that: “Among the best-preserved remains of the Roman period in Alexandria are Pompey’s Pillar and the sphinx. The red granite pillar, eighty-five feet high, was erected by Diocletian in 297 A.D. Excavations here have unearthed dozens of fragments of other Roman objects and buildings, but they are only fragments.”

And Taylor (1964) also says that: “In the last years of the Ptolemaic era a succession of rival rulers, constantly at war with each other, fell under the rising power of Rome. Cleopatra VI, the last of them, a woman of remarkable ability, tried her best to save the dynasty.”

And further to that Alice Taylor adds with regard to Egypt that: “Most of the Roman rulers, like the Greek, considered Egypt a “”cow to be milked””, although at times the people appear to have been fairly prosperous. Gradually, despite persecutions, Christianity gained converts. Many sought refuge in the harsh lonely desert, where they created the world’s first Christian monasteries. Later, Christianity became the official religion, known as the Egyptian (Coptic) Church, and the non-Christians in turn were persecuted.”

View of Pompey’s Pillar c 1850. (Wikimedia).

Edith Flamarion (1997) writes regarding Pompey the Great that: “One man especially became the champion of Egyptian independence: the roman imperator (commander) Pompey the Great, wreathed in glory after suppressing a revolt in Rome, clearing the Mediterranean of pirates, and crushing the powerful Asian king Mithradates. In 64 BCE he over-threw the Seleucid kingdom; the following year, he reduced Syria to the status of a Roman province—thereby creating a Roman stronghold in the Middle East, at the gates of Egypt—and took Jerusalem. Auletes made an alliance with Pompey, sending him 8,000 cavalry for his wars and many gifts, among them a heavy gold crown. 

In 60 BCE, though, the pharaoh had reason to tremble, for Pompey allied himself with Julius Caesar, who became consul the following year. The Egyptian king sent to Rome the huge sum of 8,000 talents, which brought him official acknowledge-ment of his authority. Julian law declared Ptolemy XII Auletes “”an ally and friend of the Roman people,””  which made him, in reality, a vassal.

“The looming military presence of Rome may have alarmed the Alexandrians, who rebelled against the ruler. Driven out by his subjects, Auletes fled Egypt for Rome. There, beginning in 57 BCE he launched a campaign of politicking and corruption, seeking to regain the throne of Egypt and to rally to his cause every powerful citizen of the Roman capital. Auletes bribed senators, spending so much that he was obliged to borrow from Rabirius, a wealthy Roman financier. 

“In the meantime, the Alexandrians put his eldest daughter, Berenice IV, on the throne, and sent a delegation to Rome to request the Senate to arbitrate the conflict between father and daughter. While Rome hesitated, equivocated, and consulted sacred texts, Auletes simply arranged to have a number of the delegates assassinated. But Rome was reluctant to commit a large armed force to returning Auletes to power. In despair, the deposed pharaoh left Rome for Ephesus, in Asia Minor. Cleopatra, then about ten years old, remained in Alexandria, where her half-sister now reigned.

“It was then that Rome decided upon a military intervention. One of Pompey’s lieutenants, Gabinius, governor of Syria, marched on Egypt at the head of a mighty army—an expedition in which the ten thousand talents promised by Auletes undoubtedly played a part. Leading the cavalry was a fiery twenty-four-year-old officer named Mark Antony. Gabinius took Pelusium, then Alexandria; Archilaus, Berenice’s husband, died in combat. Auletes entered the Egyptian capital as its conqueror, and immediately had his daughter executed.

“With the pharaoh back on the throne, Gabinius quit Egypt, leaving behind a military guard composed in the main of German and Gallic mercenaries. The Roman Rabirius, Auletes’ creditor became his prime-minister in Egypt.”” And the rest ‘they’ say is History! 

Sources & Related Websites:

Flamarion, Edith, Cleopatra – From History to Legend, (New Horizons), English Translation – Harry N. Abrams, Inc., New York, 1997.

Ingram, David, (Insight Compact Guide), Egypt,  APA Publications GmbH & Co. Verlag KG Singapore, (Reprint 2008).

Taylor, Alice, United Arab Republic, (Around The World Program), Nelson Doubleday, Inc And Odhams Books Ltd., 1964. 

Youssef, Hisham & Rodenbeck, John, (Insight Guides – First Edition Reprint), Egypt, Hans Johannes Hoefer, APA Publications (HK) Ltd., 1988.

https://commons.wikimedia.org/wiki/File:

https://en.wikipedia.org/wiki/Pompey%27s_Pillar_(column)

https://www.ask-aladdin.com/Alex-Travel-Information/PompeyPillar.html

http://brewminate.com/serapea-of-ancient-egypt/

http://tvatravels.com/adventures/egypt/alexandria-city-lost-glory/

© Ray Spencer, The Journal Of Antiquities, 2018.


The Coronation Stone, Kingston Upon Thames, Greater London

The Coronation Stone at Kingston-Upon-Thames.

OS Grid Reference: TQ 17867 69069. On High Street, just opposite the Guild Hall, in the town centre of the south London suburb of Kingston-Upon-Thames, Greater London, is the 10th century stone monument known as ‘The Coronation Stone’ or ‘The King Stone’. Traditionally seven, or maybe eight, Anglo-Saxons kings (AD 900-1016) were crowned whilst seated upon the stone. This 3½ foot high block of grey-black sarsen stone ‘now’ stands on a grassy area of land close to the Hogsmill River, and is surrounded by ornate blue Victorian railings. The Greater London suburb of Kingston-Upon-Thames, once part of Surrey, obviously taking its name from the stone that has, from an early date, also been called the King Stone or King’s Stone. Originally it stood in the ancient Chapel of St Mary (which had fallen into ruin by 1730) and, in 1850 the Market Place, but in 1936 it was moved to its present position on the High Street; though it could be moved again in the near future to All Saints Church, a building which also has ancient origins.

Coronation Stone, Kingston-Upon-Thames (photo by Philip Halling – Geograph).

According to tradition seven Anglo Saxon kings of Wessex and Mercia were crowned on the Coronation Stone in the ancient Saxon Chapel of St Mary Magdalene which stood in the grounds of All Saints Church, Kingston-Upon-Thames, in the 10th century: Edward the Elder (8th June, 900), Aethelstan (4th Sept, 925), Edmund I (29th Nov, 939), Eadred (16th Aug, 946), Edwy also known as Eadwig (26th Jan, 956), Edward the Martyr (975), Ethelred the Unready (April 978) and, possibly Edmund Ironside (14th Apr, 1016)? However, it is known from History that a couple of these kings were ‘not’ crowned at Kingston-Upon-Thames, as was often thought. King Edgar, who is not in the list above, was crowned at Bath (959), and King Edmund II (Ironside) often thought to have been crowned at Kingston was, in fact, crowned in the ancient 7th century Saxon St Paul’s Church, London, the forerunner of the present-day St Paul’s Cathedral. The first St Paul’s church to be styled as a Cathedral was not built until 1087 AD.

The Coronation Stone, which is probably a lump of prehistoric sarsen stone, sits upon a large, modern granite base-stone which has the names running round it (in large lead letters) of the seven kings whom its thought were crowned whilst seated upon the stone – at various dates between AD 900 and 978, but in more recent times it was used as a mounting block for horses! The badge or coat of arms representing the Royal Borough of Kingston-Upon-Thames displays three salmon symbols, and can be seen at many strategic points in and around the town. 

Janet & Colin Bord (1991) say with regard to The King Stone or Coronation Stone that: “It is claimed that seven kings were crowned at this stone during the tenth century, but this is disputed in some quarters. The stone was originally located in the Saxon Chapel of St Mary, but since 1730 it has had several outdoor locations, moving in 1936 to its present site. Whatever its true history, it has now assumed a role as the relic from which the town took its name.”

And also Reader’s Digest (1977) say: “In Kingston market can be seen the stone which gave the royal borough its name. From Edward the Elder (AD 900) to Edmund Ironside (1016), English kings were crowned seated upon the stone.”

Sources & related websites:

Bord, Janet & Colin, Ancient Mysteries of Britain, Diamond Books, 1991.

Reader’s Digest, Folklore Myths and Legends of Britain, Reader’s Digest Association Limited, London, 1977.

The AA, The Illustrated Road Book Of England & Wales, The Automobile Association, London, 1961.

http//www.geograph.org.uk/photo/2591257   Photo (above) of Coronation Stone is © Copyright Philip Halling and licensed for reuse under their Creative Commons Licence

https://en.wikipedia.org/wiki/Coronation_Stone,_Kingston_upon_Thames

https://historicengland.org.uk/listing/the-list/list-entry/1080066

https://lookup.london/kings-stone-kingston/

http://sussexhistoryforum.co.uk/index.php?topic=7208.0;wap2

© Ray Spencer, The Journal Of Antiquities, 2018.

 

 


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Waugh’s Well, Scout Moor, Near Edenfield, Lancashire

Waugh’s Well (photo by P Smith). (Wikipedia).

OS Grid Reference: SD 8287 1957. On windswept Scout Moor between Edenfield and Cowpe in the Rossendale Valley, Lancashire, stands the Victorian memorial known as Waugh’s Well, named after the famous Rochdale-born dialect poet Edwin Waugh (1817-1890), who was the son of a shoemaker. The poet often came to stay at a farm on the moors and, very often would visit and sit beside a spring of water, at Foe Edge. In 1866 a wellhead with a carved stone-head of the poet and a gritstone wall at either side, was built to honour the man who would come to be known as the Lancashire Poet Laureate and also Lancashire’s very own “Burns”. Following his death at New Brighton the well became a place of pilgrimage for devotees of the poet, but it was here on the moor at Foe Edge that Waugh composed some of his famous dialect poems, all having a strong Lancashire feel about them. The well lies about ¼ of a mile to the east of Scout Moor High Level Reservoir on the Rossendale Way footpath. The site is probably best reached from the A680 road and the footpath going past Edenfield Cricket Club, and then eastwards onto the moor itself for a few miles towards Cowpe.

Nick Howorth writing in a magazine article (1996) says of Waugh’s Well that: “The well, originally a spring, was converted into a memorial to Waugh in 1866. This was an extraordinary tribute to a man who was not only still in mid-career at the time, but who had only been famous as a writer of Lancashire dialect songs and poems for 10 years. His fame grew to the extent that by the time he died in 1890 he was variously called “”The Laureate of Lancashire”” or “”The Burns of Lanca-shire””, although he never achieved an international reputation. The well was rebuilt in 1966 and shows a bronze figurehead of Waugh  with his dates, 1817-1890. His connection with the spring on Scout Moor was that he often stayed with friends living at Fo Edge Farm near the well, finding the solitude good for composing songs and poems.

The name ‘Waugh’ is variously pronounced in Lancashire to rhyme with ‘draw’, ‘laugh’ or cough,…..but today ‘Waw’ is more usual. Edwin was born in 1817 in a cottage at the foot of Toad Lane, Rochdale, the second son of a prosperous clog-maker. All was well until his father died of a fever aged 37 when Edwin was nine years old. Years of penury followed but Edwin’s mother, Mary, held the family together. She was a devout Methodist, intelligent, and a good singer. By being careful, she kept Edwin at school until he was 12. She then educated him at home herself, fostering in him the seeds of artistic talent.”

Howorth goes on to say that: “His early career was a struggle against poverty. He was apprenticed to a Rochdale printer, Thomas Holden, when aged 14. This gave him opportunities to read widely although he was often ‘ticked off’ for reading during the shop hours. He also met local literary figures and politicians. Waugh held strong Liberal views but his boss was a Tory; they did not get on well. Between the ages of 20 and 30, Waugh worked in London and the south of England as a printer, but in 1844 he returned to Rochdale to work at Holden’s. They fell out over politics and Waugh left in 1847. In that year he abruptly married Mary Ann Hill, but although he loved her deeply, their natures were so far apart that the marriage was a disaster.

Edwin Waugh.

“For the next five years Waugh worked for the Lancashire Public School Association whose aim was to make a good quality primary education available to poor children. Waugh worked in Manchester, which he hated, but he met many of the city’s literary and intellectual leaders and talked literature, education and politics with other struggling writers. He was beginning to get articles and poems published in Manchester. He worked partime as a journeyman printer, earning money by printing copies of  “Tim Bobbin” (John Collier’s masterpiece of 1746). In 1855 he borrowed £120 and published his first volume of essays, “”Sketches of Lancashire Life and Localities””. Then in June 1856 came the big breakthrough when “”Come Whoam to thi Childer an’ Me,”” was published in the Manchester Examiner, bringing him national prominence. The poem was republished as a penny card, earning him £5 for 5,000 cards.

“His reputation was made and he never looked back. His first collection of poems and Lancashire songs followed in 1859. A few of the titles give the flavor: “”God bless these poor folk!””, “”while takin’ a wift o’ my pipe”” and “”Aw’ve worn my bits o’ shoon away.””

“Apart from courtship and family life, his great love was nature. Many of his essays described excursions far beyond the Lancashire moors, such as Scotland and Ireland. Essays were often published as pamphlets selling for 6d or 1s, eg ‘Over Sands to the Lakes’, ‘Seaside Lakes and Mountains of Cumberland’, ‘Norbreck: A Sketch of the Lancashire Coast’ cost 1d.

“Waugh’s third area of composition was poetry in standard English. A few titles are: ‘The Moorland Flowers’, ‘Keen Blows the North Wind’, ‘God Bless Thee, Old England’ and ‘The Wanderer’s Hymn’. Subjects like these no doubt reflected the tastes of Victorian England.”

Nick Howorth (1996) also adds that: “Another important Waugh activity for many years was giving public readings of his works, rather like his contemporary, Charles Dickens. Although these did not pay very well, they kept his name in the public eye. His big, open, friendly face and soft Lancashire accent made him a popular performer. He did not dress up for these public performances, was always an unkempt figure with big boots, thick tweeds and a heavy walking stick. This emphasized his humble origins to his audiences. In 1869, he read in public almost fortnightly in town halls all over the midlands and the north.

Waugh was an important figure in Lancashire’s literary history because he popularized dialect poetry and made it a valid part of English literature. Before Waugh, Lancashire dialect was difficult to follow, because it contained so many obscure words and spellings. Tim Bobbin, dating from 1746, is the best example of the “”old dialect”’. Readers have to refer con-stantly to the author’s glossary. Waugh simplified and standardized how Lancashire dialect should be written down, and  it has hardly changed since then.

“George Milner (1889) in an essay setting out his views “”on dialect as a vehicle for poetry”” in his collection of Waugh’s poems and songs showed that dialect can express feelings with a simplicity and directness not so easily achieved in Standard English.”

Poets Memorial

At the western edge of Broadfield Park, Rochdale, overlooking the Esplanade there is a very fine four-sided monument commemorating Edwin Waugh and three other local poets. This monument is called ‘The Lancashire Dialect Writers Memorial’. It was designed by Edward Sykes and erected on the land above the Esplanade in 1900. The pedestal is made of red granite and is topped by an obelisk. The four local poets are: Edwin Waugh (d. 1890), Oliver Ormerod (d. 1879), Margaret Lahee (d. 1895) and John Clegg (d. 1895). This fine memorial is inscribed with various poems and information regarding each writer, with their carved heads. A bit further along the path is a statue of John Bright (1811-1889 the Liberal MP for Manchester. Bright was a reformer and campaigner for the repeal of The Corn Laws (1839). In St Chad’s churchyard, Sparrow Hill, is the grave of Tim Bobbin alias John Collier (1708-1786), the satirical dialect poet who frequented the inns of Rochdale. His grave, with its now worn epitaph, is behind iron railings; but ‘the’ grave has become a place of pilgrimage for devotees of his life and works.

Sources/References and related websites:-

Nick Howorth, ‘Edwin Waugh – a man of ink, and his well’, Really Lancashire – A Magazine for the Red Rose County, Landy Publishing, Staining, Blackpool, Issue No. 2, August 1996.

https://en.wikipedia.org/wiki/Edwin_Waugh

http://www.edwinwaughdialectsociety.com/waugh.html

http://holcombevillagelancs.org.uk/?page_id=370

© Ray Spencer, The Journal Of Antiquities, 2018.