NGR: SK 2178 7639. At the south side of St Lawrence’s parish church at Eyam in the Peak District, Derbyshire, there is a beautifully sculptured 8 foot-high Saxon cross which is said to date from either the 8th Century or the 10th? It is also known as a Mercian Cross. Some of the design-work on the shaft and head bears some similarity to Celtic design. In the 8th Century Christian missionaries (from the north) set up the cross at Crosslow to the west of Eyam. The cross-shaft was originally a couple of feet taller than it is at present but, despite that, it is one of the best-preserved of all the Mercian crosses in the Midlands. St Lawrence’s church (site) is possibly a Saxon one and a church from that time may have stood where the present building now stands and, with that in mind, the font inside the church was thought to date from the Late Saxon period, though it would seem more likely to be 11th-12th Century Norman, and to have come from Hathersage! The present church is a mixture of 13th to 15th Century architecture and is located in the centre of the village of Eyam on Church Street, near Eyam Hall. Eyam is 9 miles southeast of Chapel-en-le-Frith.
Clarence Daniel (1966) informs us that: “It is scarcely necessary to draw attention to the Saxon Cross—the most venerable landmark in the village. For over a thousand years it has stood shelterless and bareheaded, exposed to the ravages of wind and rain, the wayside witness to an unperishable story. Perhaps this simple translation of the Gospel was being wrought out of living stone about the same time that a spark inspiration kindled the emotions of Caedmon at Whitby. Fortunately it escaped mutilation when Puritan zealots were authorised by an act of Parliament passed in 1643 to remove and destroy ‘“all crosses in an open place’”, although the top portion of the shaft has since been broken up and used for cobble stones. Until the visit of John Howard, the prison reformer, it lay almost smothered by weeds in a corner of the churchyard, but his concern for the preservation of such a valuable relic inspired its erection in a more prominent position.
“Mercia was evangelized by missionaries from Lindisfarne, or Holy Island, and the Eyam cross resembles in certain characteristics the type for which Iona is famous. Upon the head and arms, figures of angels are sculp-tured in relief; whilst the upper portion of the shaft is adorned with a representation of the Virgin and Child, beneath which a figure holding a trumpet, or bugle-horn. Below these pictorial panels in an elaborate tracery of scroll-work woven into three circles. The carving on the reverse of the shaft consists of five foliated scrolls in each of which a trefoil design is cleverly triplicated.
Neville T. Sharpe (2002) says: “To the west of Eyam there is Crosslow House and a cross once stood on the opposite side of the road at SK20677. Another possible site is the open piece of ground in the middle of the village opposite Eyam Hall where the stocks stand, which is still called ‘“The Cross.”’ Wet Withins at SK225790 on Eyam Moor, a site of pre-Christian worship, has also been put forward. The first of these three sites stands beside the road from Eyam to Foolow where one might expect to find a wayside cross, but an ornate cross like the one in the church-yard would have looked well in the centre of the village.
“The front of the head facing west has four angels holding sceptres on their shoulders; one is in a circle in the middle of the head and one on each of the arms. On the top of the front of the shaft are two enthroned figures in panels with arched tops; the lower figure is holding a horn in front of his body. The remainder of the front of the shaft below is decorated with circular interlaced work. On the opposite side of the head are four angels; the centre one holding a sceptre and the other three blowing trumpets. The whole of the back of the shaft is decorated with foliage, the stems of which form five bold spiral coils, with leaves and bunches of grapes in the centre of each, and leaves and buds filling up the spandrels at the sides. On the end of the north arm of the cross is a figure holding a book, and on the end of the south arm an angel. The north and south faces of the shaft are covered with interlaced work composed of knots. Believed by some to date from the eighth century, this cross has much in common with those at Bakewell and Bradbourne.”
Sharp (2002) adds that: “On the south wall of Eyam Church is a sundial made by William Shore, a local stone mason in 1775. It is a source of wonder to watch visitors gaze at this sundial for a few moments before checking its accuracy with their watches, and finding to their amazement that it is correct. The cross stands beside the path through the churchyard on the south side of the church and it was in this position prior to the restoration of the church in 1872. The shaft is 6 feet high of an octagonal cross-section and badly pitted due to the elements. It stands on a base mounted on three square stone steps. It is certainly much older than the 1656 inscribed on it. A plaque on the base reads: ‘“AD 1897 This ancient churchyard cross was restored in loving memory of Charles Lewis Cornish Priest Vicar of this Parish 1841-46.”’ There is another cross built into the exterior west wall of the vestry which formerly was on the gable of the chancel. Could this be the original head of the cross in the churchyard?
Daniel (1966) also adds that: “In the vestry is a Saxon font, but this is a comparatively recent acquisition from Brookfield Manor, Hathersage, where it did service in the garden as a flower bowl. The Norman font was shorn of its antiquary interest and value by an unimaginative mason who planed away the carving from its bowl when instructed to clean it of paint. It will also be noted that there is no drain; a fact which recalls those days when the water was only blessed twice a year and was kept under lock and key regardless of its possible contamination.”
Sources / References & Related Websites:-
Clarence, Daniel, The Story of Eyam Plague – with a Guide to the Village, Cratcliffe, Eyam, near Sheffield, 1966, with Illustrations by the author.
Sharpe, Neville T., Landmark Collector’s Library – Crosses of the Peak District, Landmark Publishing Ltd., Ashbourne, Derbyshire, 2002.
Copyright © Ray Spencer, The Journal of Antiquities, 2020.
September 27, 2021 at 5:37 pm
Simon, yes, please do so.
September 27, 2021 at 5:37 pm
Simon Coxall wites: Dear Sir,
I am a landscape archaeologist writing an article re the lost wayside crosses of Saffron Walden, Essex to appear in the local Saffron Walden Historical Journal. I am hoping to use an image from your website drawn by Clarence Daniel of the Eyam cross in the article merely to give a flavour of how some wayside crosses appeared. It will be credited to the artist and your website. Is that Ok?
August 1, 2020 at 12:23 pm
Youre so cool! I dont suppose Ive learn something like this before. So good to find somebody with some original thoughts on this subject. realy thank you for starting this up. this website is one thing that is wanted on the internet, somebody with somewhat originality. helpful job for bringing something new to the internet!
August 2, 2020 at 8:28 am
The archaeological consensus is the church is medieval with elements from the 13th and 15th centuries. It was restored in 1868–70, the so-called Gothic Revival period, along with features such as stone crosses. This revival or re-imagining of the past wasn’t a scam, it still goes on of course. The fact that twentieth-century historians, including self-styled Anglo-Saxon experts, believe this cross predates the church itself even though there’s only one such survival is plainly barking. Another ‘restored’ churchyard cross actually has the date 1897.
July 3, 2020 at 8:02 pm
The earliest sections of Eyam church are thirteenth century. The font is described as ‘Norman’ not Saxon, indeed according to the archaeology report no evidence of Saxon anything has been found in the area, let alone the church. The so-called Saxon cross was only “discovered” in the eighteenth century as per the Northern Antiquarian site: ‘In the 18th century the cross was discovered beside a trackway on the moors, from whence it was brought to the churchyard of St Lawrence’s church; but then for a long time it stood abandoned and uncared for in the corner of the churchyard. Eventually it was restored and placed in the churchyard where it now stands proudly.’ That would explain why it managed to ‘escape’ the depredations of passing Puritans et al.